Blues Family Reunites

Blues Family Reunites

Blues Family Reunites

Blues Family Reunites

The 2021 Blues Bash at the Ranch was a true celebration. It was hard to tell who was more excited to be there, the bands for having a stage or the blues fans for finally hearing some live music. Here are the highlights.


The Dottie Kelly Band started the weekend off with a BANG!  Her all-star band included legendary lead guitarist Daryll Rains, Robert Carter on bass, and Maurice Dukes on drums. Dottie’s energy was contagious, and we were off to a great start.

Everyone agreed that Doug Deming & The Jewel Tones have never sounded better. Zac Pomerleau on drums is really reaching “the zone” with his harmonica skills.  And who can put words to what Andrew Gohman is doing to his upright bass. Screaming!!

Next came RB Stone, with Steve Arvey on bass.  RB showed his best “Trans Genre” form.  RB has a very engaging stage presence and tells some great stories.

The best part of Friday night might have been the jam when Dottie Kelly and Steve Arvey went toe to toe and Zac came out from behind the drum kit and just wailed on his harp. We also got a preview of Gabe Stillman.

We would like to thank Spike Stephens for organizing a fireside jam featuring Tas Cru and RB Stone around a glowing fire pit on a chilly evening.  It’s the kind of thing that makes this event truly memorable. Thank you Tas and RB for your warmth also.

On Saturday Brad Vickers and his Vestapolitans entertained us with some great tunes from Elmore James, several from Tampa Red and even Fats Domino! Brad’s great band included Jim Davis on saxophone and clarinet, Bill Rankin on drums, and Marsha Peters on bass and vocals.

Tas Cru and his band deserved to be headliners. His band included Tom Craig working as a sideman, Chris Alexander on keyboard, Sonny Rock on drums, and our very own Bill Hubbard with a stellar bass line.  Local phenom Trey Wanvig even got a brief cameo on guitar.  Stay tuned for more news from your Suncoast Blues Society about Trey.

Dustin Arbuckle and The Damnations put on an energetic crowd pleasing set that had the front stage dance floor packed. This Wichita, Kansas-based band plays a “cross-genre eclectic” mix of music, and they are exceptionally good within this format. Led by Dustin’s voice and skilled harmonica play the band fit very well at this event. Brandon Hudspeth’s guitar playing was among the best heard at this festival.  The crowd surely enjoyed the performance as the band left the stage to a rousing ovation. Having enjoyed Dustin’s music since his days in Moreland & Arbuckle it was a pleasure once again to hear Dustin’s voice and harmonica playing, and now a fan of Brandon’s guitar work.

Tom Craig Band’s set confirmed he wasn’t just a sideman.  His great original tunes included one entitled “Captain Funk” that local photographer Jim Hartzell immediately claimed for his new theme song!  Once again there was Bill Hubbard looking hip holding down that low end, Sonny Rock on drums, and “Detroit” Mike Hepner adding sweet riffs from the keyboards.  Great blues by Tom Craig Band!

Joel DaSilva Band came over from the east coast of Florida and put on a smoking hot set of music. This intense set included creative sounds from blues, rock, and international sounds traced from Joel’s Brazilian roots. A bit of blues, a bit of rockabilly, and some heavy metal smashed together to create an interesting mix of music.

Gabe Stillman Band hit the stage at 8pm and did not disappoint. The noticeably slimmer version of Gabe pitched nothing but love to the audience.  Some of his vocals and lyrics remind one of an early Johnny Lang.  Scorching guitar riffs from this Gibson Guitar Award winner at the International Blues Challenge prevailed. However, this writer would like to thank Gabe for that one slow song.

Eliza Neals performance was electrifying.  Having “Detroit” Mike Hepner on B3 freed Eliza up to do her thing on stage, and she did her thing.  Love that smile. No one was more excited to be back on a stage with a live audience and it showed. Eliza worked it.  Probably one of her best performances ever.

On Sunday Deb Ryder came all the way from California to showcase her blues style. It was great to hear Deb again inserting a little humor into the blues. The crowd favorite was “New Mechanic (Patrick’s Blues)”.  Local keyboard wizard “Professor” Michael Hensley contributed keyboard to this set. Love your groove Deb.

Harper and Midwest Kind added their unique sound to the festivities. Harper is famous for his didgeridoo, but many don’t realize how talented he is on the harmonica.

The James Armstrong Band was a perfect final act with some “True Blues.”  Here came the smooth guitar licks sounding like they were coming from some smoke-filled backroom down the alley. Great finish for a very memorable weekend.

Many thanks to Paul and Jean Benjamin and Greg and Roseanne Herndon.  Also Red the maintenance man.  Thanks also to our local photographers “Captain” Jim Hartzell and Rick Lewis for documenting the event with their high-quality photos. We love y’all!

 

(Pictures courtesy of Jim Hartzell and Rick Lewis)

 

Bryan Lee – Dunedin Mardi Gras 2020

Bryan Lee – Dunedin Mardi Gras 2020

Bryan Lee – Dunedin Mardi Gras 2020

Bryan Lee’s Six String Therapy

Our colleague Mike Shivvers over at Blues & Roots Digital Archive completed the editing of the February 2020 Dunedin Mardi Gras Festival performance by blues legend Bryan Lee and his band Six String Therapy.

Sadly, the blues world lost Bryan shortly after this performance and this represents one of his final performances. Thankfully Mike has preserved Bryan’s legend on digital film and he gladly shares it with you on his website.

Bryan Lee – Dunedin Mardi Gras 2020

Playing with Bryan this day as Six String Therapy were Bob Menzies on drums, Ted Fordney on bass, and “Professor” Michael Hensley on keyboards.

Visit Mike’s website and continue to celebrate the legacy of Bryan Lee. He meant so much to the blues world and to this community.
……

Second Harvest Food Bank is the beneficiary of a recent CD that celebrates Bryan and his music. Follow this link if you would like to obtain of copy of “Bryan Lee Old School Blues“, and help out a worthy cause.

 

“Raisin Cain” by  Chris Cain

“Raisin Cain” by Chris Cain

“Raisin Cain” by Chris Cain

“Raisin Cain” Chris Cain
(Alligator Records 2021)
CD review by Scott Morris

Chris Cain returns with a superb recording. The lyrics are crisp, sometimes cynical, always witty, and will hit the mark for those who have been in a relationship for any length of time.

Blues Magazine quotes Chris as saying “These are the best pack of tunes I’ve ever written.” I wholeheartedly agree. I love this recording. The band is on fire, and Chris’s playing has never been better.

“Raisin’ Cain” was produced by Kid Andersen (Rick Estrin & The Nightcats) at Andersen’s Greaseland Studio in San Jose, California. Joining Chris is this touring band: Steve Evans on bass, Greg Rahn on the keys, and sharing drums are Chris’s touring drummer Sky Garcia and D’Mar Martin. Chris pitches in on keyboards on some of the recordings.

Raisin’ Cain” begins by rocking out on “Hush Money”. This toe-tapper of a song sets the tone for the lyrical quality that permeates the recording. The second tune contains my favorite lyric on the recording “If you think I’m the problem…” and then resolves with the title “You Won’t Have A Problem When I’m Gone”. The band is cranked up quite a few notches on this one.

Anyone familiar with Chris and his music understands his love and reverence for the man he respectfully calls, Mr. B.B. King“Too Many Problems” lyrically allows Chris to explode upon the landlord, and musically compares to the style of Chris’s mentor. Slowing down Chris spins a blues ballad about called “Down on the Ground”. Superb keyboards accompany a guitar solo by Chris that shows why Chris is a guitar player’s guitar player.

“Out of My Head” is far and away my favorite song on “Raisin’ Cain” Chris and the band perform at a level that brought favorable comparisons to Mr. B.B. King and his band. Chris’s solo is outstanding and the sound of the horns leads to a bigger band comparison. I could not get enough of this song and rank it among the best that Chris has ever recorded.

Chris shows off his lyrical creativity with the line “Laying around all-day, watching Dr. Phil, and drinking Tanqueray”; found within “I Believe I Got off Cheap”. This song relates the “benefits” of being kicked to the curb, in a relationship sense.

Concluding the recording is the sole instrumental, “Space Force”. This song will showcase the jazz elements in Chris’s music. It’s inventive and the most different song on this recording.

For me, “Raisin’ Cain” quickly became a “desert island disk”. “Raisin’ Cain” is one of the best recordings from one of the best guitar players in existence. Well done, Mr. Chris Cain. HIGHLY recommended.

Sources
Blues Magazine – Chris Cain
Chris Cain Alligator Records
Chris Cain Website

Click here to purchase your copy of “Raisin Cain” 

 

Curtis Salgado CD Review

Curtis Salgado CD Review

Curtis Salgado CD Review

Curtis Salgado CD Review

Events in 2020 have inspired some great Blues music.  “Damage Control”, Curtis Salgado’s new offering, really hits home.  It was recorded at five different studios – Ultratone and Greaseland in California, Rock House in Nashville, Falcon Studios in Portland, Oregon, and Dockside Studio in Maurice, Louisiana. The list of notable musicians is extensive.

Curtis always spins magic with his lyrics and phrasing.  “The Longer I Live the Older I Want to Get” speaks volumes.  Curtis doesn’t want to leave the stage and nobody wants him to.  We need Curtis and his smooth healing blues for as long as possible.  “The Longer I Live” video

“Always Say I Love You” speaks of losing friends, something many of us have experienced lately, and how to treat them when they are still around.

“Truth Be Told” is a snappy, Cajun flavored tune with Wayne Toups on squeezebox to make it authentic.

Did you Know?

Curtis Salgado has a connection to John Belushi and “The Blues Brothers”
Read the Letter from John Belushi and find out how.

The title track “Damage Control” should be up for some kind of award for Curtis’s smooth lyrics and timely message, aided very artfully by Mike Finnigan and Jim Pugh on keyboards and Dave Gross and Johnny Lee Schell on guitars. Nice work.

“Precious Time” and “Slow Down” both deal with recognizing that time is our most valuable commodity. Enjoy it, celebrate it, listen to some blues.

“The Fix is In” features some great harmonica from Curtis as he comments on trust and honesty, frequently absent – ‘same old Okey Doke’.

Age and wisdom can change habits.  “I Don’t Do That No More” pokes fun at what we used to get away with in our youth.

Some of the other artists that contributed to this fine work need to be mentioned.  Depending on location, Kid Anderson, Alan Hager, and George Marinelli on guitar.  On drums the duty was shared by Kevin Hayes, Jack Bruno and California’s favorite drummer Tony Braunagel.  On bass – Jerry Jemmet, Dave Gross, and Tommy McDonald.  Background vocals by J.T. Lauritsen and Wendy Moten.

The album leaves a positive feeling that Curtis doesn’t want to quit performing ever, and his fans are thrilled about that.   -Lafayette Reid

Click here to purchase an autographed

 copy of “Damage Control”

Memphis Rub Band Review

Memphis Rub Band Review

Memphis Rub Band Review

 

The Memphis Rub Band

 


The Memphis Rub Band is a fun way to spend a night listening and dancing to a wide range of blues-based musical genres. Suncoast Blues Society presents a review of two recent shows, at Blue Rooster and Stottlemyer’s Smokehouse, both in Sarasota.

Long-time local club goer’s have likely had the pleasure of attending a Memphis Rub Band (MRB) show. With many new residents in the area Suncoast Blues Society believes the time is right to share highlights from recent shows.

The band consists of bassist Scott Matzke, guitarist “Hurricane” Gary Drouin, keyboardist Dan Ryan, and its newest member drummer David Wells. The band was formed in 2016 by Gary and Scott to perform blues, rock ‘n roll, and a healthy mix of funk, and rhythm and blues.

In many ways this band may be the perfect vehicle to introduce your friends who claim they do not like the blues, to the blues. There is something for everyone in the set list, most of the songs have blues roots and are performed where appropriate with a blues feel.

Vocals are mostly performed by Scott, and David adds vocal variety to the mix by singing from the backline. The MBR spin is throughout the set list and the show includes original songs from the 2018 release Taste.

From the deep blue’s catalog, the band performs a nice version of Magic Sam’s “Just a Little Bit”. Switching to soul/R&B, MRB set included Otis Reading’s hit “I’ve Got Dreams to Remember”, and the Rufus Thomas hit “Walking the Dog”.

The shows included MRB band originals “Packing Heat” and the song “Red Tide Blues” which received airplay on local stations. David Wells sings the J. Geil’s Band song “So Sharp” and at Stottlemyer’s kicked in with The Band’s “The Weight”.

I enjoyed songs from two personal favorites. The band pays homage to Coco Montoya with “Back in a Cadillac”. And multiple songs from Delbert McClinton. Both are unusual choices for a band that plays blues-based covers and it shows the depth of their musical knowledge and the talent to properly honor these artists.

Depending on the whim of the band one may hear Delbert’s “Giving it up for your Love”, and “Shaky Ground”, which while a Temptation’s song is now so much a part of Delbert’s shows that he “owns” it. Delbert’s classic “Old Weakness (Coming on Strong)” is a particular specialty of the band.

Also performed was the soulful Curtis Mayfield & The Impressions song “People Get Ready”. The Master of the Telecaster, Albert Collins, is featured with his “Love Me Like You Say” and most will recognize MRB’s version of The Rolling Stones funky hit “Miss You”. Dan took the lead on the Booker T. & the MG’s hit “Green Onions”.

Word is the band is working on a new recording. Scheduled shows for Memphis Rub Band include:

  • March 6: Englewoods on Dearborn, Englewood 7pm
  • March 13: Clancy’s Irish Sprots Pub & Grill, Bradenton 6pm
  • March 20: Snook Haven Riverside Eatery, Venice, 1pm
Pasco Blues Fest Review

Pasco Blues Fest Review

Pasco Blues Fest Review

Pasco Blues Fest Review

On a cloudy February 6th the 5th Annual Pasco County Blues Fest was welcomed by a good-sized crowd that was clearly starved to hear their blues music. Kevin and his team at Penguin Productions did a great job pulling it off – a beautiful day spent with friends and live music!

The day started with a blistering set of music by new-to-the-area Memphis Lightning. This trio brings it to the stage! The band is led by showman, “Lightnin’” Thiboutot, who is also superbly talented with guitar. And it showed, clearly, why no one less than Jimmy Vaughn called him “one of the greatest players around today”. High and well-earned praise indeed.

Backed by “Big Red” Thiboutot on bass, and Ephraim Lowell (Roomful of Blues, Albert Castiglia, and Johnny Winter) on drums, the band played tracks from their 2017 release Trouble and the new release Borrowed Time. Featured during the performance were “Great Day” from the 2017 release, and the title track for the current recording. “Borrowed Time” is a song about when “Lightnin’” was diagnosed with cancer, a subject that along with the recovery was weaved into the performance. The band left the stage to a standing ovation from the appreciative crowd.

Next up was the always entertaining Sean Chambers Band. No stranger to the fans in attendance, Sean none-the-less delivered a fine set, highlighted by tracks from his release Whiskey and Trouble, along with songs from the recent Welcome to My Blues recording.

A few raindrops fell as Sean started his set, but they were soon gone for good. The set included the “Red Hot Mama” and the always appreciated “Bullfrog Blues”. Sean brought to the stage guest bassist Pat DeSalvo, who previously performed with Savoy Brown and Kim Simmonds. The band mixed in a nice version of Bob Seger’s “Come to Papa” and “You Don’t Love Me”, popularized by The Allman Brothers on the legendary Fillmore East recording. 

The show’s final act was Damon Fowler Band.  Damon, along with his regular band mates Chuck Riley and Justin Headley never disappoint and this time was no exception. Calling on his wide range of material, Damon played something from just about every part of his large catalog and also included many songs from this forthcoming release Alafia Moon. A good story teller as well as a musician, Damon gave context to a new song that came together while on tour with George Thorogood. Much of Damon’s set was recently reviewed by Suncoast Blues Society at a show in Sarasota, and that review was sent to our Suncoast Blues News subscribers.

The show ended with a jam that included Damon, Sean, Lightnin’ and surprise guest RB Stone that left the crowd wanting more.

The Pasco fest is not as large as some of the more well-known fests in the area but it was highly enjoyable and easily reachable by most within the Suncoast Blues Society geographic area. This reviewer came up from Manatee County and will be back for the next edition. Put this fest on your watch list for 2022!