Cottonmouth Southern Soul Kitchen Grand Opening

Cottonmouth Southern Soul Kitchen Grand Opening

Cottonmouth Southern Soul Kitchen Grand Opening

 

Cottonmouth Southern Soul Kitchen Grand Opening

Two SBS board members had the pleasure of attending the “Grand Opening” of Dave Shiplets’ new southern cuisine restaurant Cottonmouth Southern Soul Kitchen, located in the Village of the Arts in Bradenton.

For entertainment in the backyard listening room was none other than Biscuit Miller. Biscuit sounded terrific and was full of Biscuit energy clowning and dancing all night long. He was backed for the evening by members of Lauren Mitchell’s band—“Professor” Michael Hensley on B-3, Vincent Sims on lead guitar, and drummer James Varnado.

Bradenton’s new mayor the honorable Gene Brown was in attendance and heard Lauren Mitchell sing a few tunes with Biscuit.  It’s always good to have a mayor that’s a blues fan. Biscuit really got the sold-out crowd engaged and even had some ladies up on the stage to dance with him. Great fun

If you haven’t been to this new venue you need to check out the schedule and make plans to visit. Thanks to Dave Shiplet for what he has created, lets support his efforts. Thanks also to Annie Russini for having the vision of the Village of the Arts many years ago. Blues music was always a part of it.

 

 

Blues Family Reunites

Blues Family Reunites

Blues Family Reunites

Blues Family Reunites

The 2021 Blues Bash at the Ranch was a true celebration. It was hard to tell who was more excited to be there, the bands for having a stage or the blues fans for finally hearing some live music. Here are the highlights.


The Dottie Kelly Band started the weekend off with a BANG!  Her all-star band included legendary lead guitarist Daryll Rains, Robert Carter on bass, and Maurice Dukes on drums. Dottie’s energy was contagious, and we were off to a great start.

Everyone agreed that Doug Deming & The Jewel Tones have never sounded better. Zac Pomerleau on drums is really reaching “the zone” with his harmonica skills.  And who can put words to what Andrew Gohman is doing to his upright bass. Screaming!!

Next came RB Stone, with Steve Arvey on bass.  RB showed his best “Trans Genre” form.  RB has a very engaging stage presence and tells some great stories.

The best part of Friday night might have been the jam when Dottie Kelly and Steve Arvey went toe to toe and Zac came out from behind the drum kit and just wailed on his harp. We also got a preview of Gabe Stillman.

We would like to thank Spike Stephens for organizing a fireside jam featuring Tas Cru and RB Stone around a glowing fire pit on a chilly evening.  It’s the kind of thing that makes this event truly memorable. Thank you Tas and RB for your warmth also.

On Saturday Brad Vickers and his Vestapolitans entertained us with some great tunes from Elmore James, several from Tampa Red and even Fats Domino! Brad’s great band included Jim Davis on saxophone and clarinet, Bill Rankin on drums, and Marsha Peters on bass and vocals.

Tas Cru and his band deserved to be headliners. His band included Tom Craig working as a sideman, Chris Alexander on keyboard, Sonny Rock on drums, and our very own Bill Hubbard with a stellar bass line.  Local phenom Trey Wanvig even got a brief cameo on guitar.  Stay tuned for more news from your Suncoast Blues Society about Trey.

Dustin Arbuckle and The Damnations put on an energetic crowd pleasing set that had the front stage dance floor packed. This Wichita, Kansas-based band plays a “cross-genre eclectic” mix of music, and they are exceptionally good within this format. Led by Dustin’s voice and skilled harmonica play the band fit very well at this event. Brandon Hudspeth’s guitar playing was among the best heard at this festival.  The crowd surely enjoyed the performance as the band left the stage to a rousing ovation. Having enjoyed Dustin’s music since his days in Moreland & Arbuckle it was a pleasure once again to hear Dustin’s voice and harmonica playing, and now a fan of Brandon’s guitar work.

Tom Craig Band’s set confirmed he wasn’t just a sideman.  His great original tunes included one entitled “Captain Funk” that local photographer Jim Hartzell immediately claimed for his new theme song!  Once again there was Bill Hubbard looking hip holding down that low end, Sonny Rock on drums, and “Detroit” Mike Hepner adding sweet riffs from the keyboards.  Great blues by Tom Craig Band!

Joel DaSilva Band came over from the east coast of Florida and put on a smoking hot set of music. This intense set included creative sounds from blues, rock, and international sounds traced from Joel’s Brazilian roots. A bit of blues, a bit of rockabilly, and some heavy metal smashed together to create an interesting mix of music.

Gabe Stillman Band hit the stage at 8pm and did not disappoint. The noticeably slimmer version of Gabe pitched nothing but love to the audience.  Some of his vocals and lyrics remind one of an early Johnny Lang.  Scorching guitar riffs from this Gibson Guitar Award winner at the International Blues Challenge prevailed. However, this writer would like to thank Gabe for that one slow song.

Eliza Neals performance was electrifying.  Having “Detroit” Mike Hepner on B3 freed Eliza up to do her thing on stage, and she did her thing.  Love that smile. No one was more excited to be back on a stage with a live audience and it showed. Eliza worked it.  Probably one of her best performances ever.

On Sunday Deb Ryder came all the way from California to showcase her blues style. It was great to hear Deb again inserting a little humor into the blues. The crowd favorite was “New Mechanic (Patrick’s Blues)”.  Local keyboard wizard “Professor” Michael Hensley contributed keyboard to this set. Love your groove Deb.

Harper and Midwest Kind added their unique sound to the festivities. Harper is famous for his didgeridoo, but many don’t realize how talented he is on the harmonica.

The James Armstrong Band was a perfect final act with some “True Blues.”  Here came the smooth guitar licks sounding like they were coming from some smoke-filled backroom down the alley. Great finish for a very memorable weekend.

Many thanks to Paul and Jean Benjamin and Greg and Roseanne Herndon.  Also Red the maintenance man.  Thanks also to our local photographers “Captain” Jim Hartzell and Rick Lewis for documenting the event with their high-quality photos. We love y’all!

 

(Pictures courtesy of Jim Hartzell and Rick Lewis)

 

Bryan Lee – Dunedin Mardi Gras 2020

Bryan Lee – Dunedin Mardi Gras 2020

Bryan Lee – Dunedin Mardi Gras 2020

Bryan Lee’s Six String Therapy

Our colleague Mike Shivvers over at Blues & Roots Digital Archive completed the editing of the February 2020 Dunedin Mardi Gras Festival performance by blues legend Bryan Lee and his band Six String Therapy.

Sadly, the blues world lost Bryan shortly after this performance and this represents one of his final performances. Thankfully Mike has preserved Bryan’s legend on digital film and he gladly shares it with you on his website.

Bryan Lee – Dunedin Mardi Gras 2020

Playing with Bryan this day as Six String Therapy were Bob Menzies on drums, Ted Fordney on bass, and “Professor” Michael Hensley on keyboards.

Visit Mike’s website and continue to celebrate the legacy of Bryan Lee. He meant so much to the blues world and to this community.
……

Second Harvest Food Bank is the beneficiary of a recent CD that celebrates Bryan and his music. Follow this link if you would like to obtain of copy of “Bryan Lee Old School Blues“, and help out a worthy cause.

 

“Raisin Cain” by  Chris Cain

“Raisin Cain” by Chris Cain

“Raisin Cain” by Chris Cain

“Raisin Cain” Chris Cain
(Alligator Records 2021)
CD review by Scott Morris

Chris Cain returns with a superb recording. The lyrics are crisp, sometimes cynical, always witty, and will hit the mark for those who have been in a relationship for any length of time.

Blues Magazine quotes Chris as saying “These are the best pack of tunes I’ve ever written.” I wholeheartedly agree. I love this recording. The band is on fire, and Chris’s playing has never been better.

“Raisin’ Cain” was produced by Kid Andersen (Rick Estrin & The Nightcats) at Andersen’s Greaseland Studio in San Jose, California. Joining Chris is this touring band: Steve Evans on bass, Greg Rahn on the keys, and sharing drums are Chris’s touring drummer Sky Garcia and D’Mar Martin. Chris pitches in on keyboards on some of the recordings.

Raisin’ Cain” begins by rocking out on “Hush Money”. This toe-tapper of a song sets the tone for the lyrical quality that permeates the recording. The second tune contains my favorite lyric on the recording “If you think I’m the problem…” and then resolves with the title “You Won’t Have A Problem When I’m Gone”. The band is cranked up quite a few notches on this one.

Anyone familiar with Chris and his music understands his love and reverence for the man he respectfully calls, Mr. B.B. King“Too Many Problems” lyrically allows Chris to explode upon the landlord, and musically compares to the style of Chris’s mentor. Slowing down Chris spins a blues ballad about called “Down on the Ground”. Superb keyboards accompany a guitar solo by Chris that shows why Chris is a guitar player’s guitar player.

“Out of My Head” is far and away my favorite song on “Raisin’ Cain” Chris and the band perform at a level that brought favorable comparisons to Mr. B.B. King and his band. Chris’s solo is outstanding and the sound of the horns leads to a bigger band comparison. I could not get enough of this song and rank it among the best that Chris has ever recorded.

Chris shows off his lyrical creativity with the line “Laying around all-day, watching Dr. Phil, and drinking Tanqueray”; found within “I Believe I Got off Cheap”. This song relates the “benefits” of being kicked to the curb, in a relationship sense.

Concluding the recording is the sole instrumental, “Space Force”. This song will showcase the jazz elements in Chris’s music. It’s inventive and the most different song on this recording.

For me, “Raisin’ Cain” quickly became a “desert island disk”. “Raisin’ Cain” is one of the best recordings from one of the best guitar players in existence. Well done, Mr. Chris Cain. HIGHLY recommended.

Sources
Blues Magazine – Chris Cain
Chris Cain Alligator Records
Chris Cain Website

Click here to purchase your copy of “Raisin Cain” 

 

Curtis Salgado CD Review

Curtis Salgado CD Review

Curtis Salgado CD Review

Curtis Salgado CD Review

Events in 2020 have inspired some great Blues music.  “Damage Control”, Curtis Salgado’s new offering, really hits home.  It was recorded at five different studios – Ultratone and Greaseland in California, Rock House in Nashville, Falcon Studios in Portland, Oregon, and Dockside Studio in Maurice, Louisiana. The list of notable musicians is extensive.

Curtis always spins magic with his lyrics and phrasing.  “The Longer I Live the Older I Want to Get” speaks volumes.  Curtis doesn’t want to leave the stage and nobody wants him to.  We need Curtis and his smooth healing blues for as long as possible.  “The Longer I Live” video

“Always Say I Love You” speaks of losing friends, something many of us have experienced lately, and how to treat them when they are still around.

“Truth Be Told” is a snappy, Cajun flavored tune with Wayne Toups on squeezebox to make it authentic.

Did you Know?

Curtis Salgado has a connection to John Belushi and “The Blues Brothers”
Read the Letter from John Belushi and find out how.

The title track “Damage Control” should be up for some kind of award for Curtis’s smooth lyrics and timely message, aided very artfully by Mike Finnigan and Jim Pugh on keyboards and Dave Gross and Johnny Lee Schell on guitars. Nice work.

“Precious Time” and “Slow Down” both deal with recognizing that time is our most valuable commodity. Enjoy it, celebrate it, listen to some blues.

“The Fix is In” features some great harmonica from Curtis as he comments on trust and honesty, frequently absent – ‘same old Okey Doke’.

Age and wisdom can change habits.  “I Don’t Do That No More” pokes fun at what we used to get away with in our youth.

Some of the other artists that contributed to this fine work need to be mentioned.  Depending on location, Kid Anderson, Alan Hager, and George Marinelli on guitar.  On drums the duty was shared by Kevin Hayes, Jack Bruno and California’s favorite drummer Tony Braunagel.  On bass – Jerry Jemmet, Dave Gross, and Tommy McDonald.  Background vocals by J.T. Lauritsen and Wendy Moten.

The album leaves a positive feeling that Curtis doesn’t want to quit performing ever, and his fans are thrilled about that.   -Lafayette Reid

Click here to purchase an autographed

 copy of “Damage Control”