Selwyn Birchwood  – “Exorcist” CD Review

Selwyn Birchwood – “Exorcist” CD Review

Selwyn Birchwood – “Exorcist” CD Review

Fourth Alligator Records Album from Innovative Award-Winning
Guitarist, Vocalist and Songwriter

On Friday, June 9, award-winning Florida bluesman Selwyn Birchwood will
release Exorcist, his highly anticipated fourth Alligator Records release. The young guitarist, lap steel player, songwriter and vocalist sets a course for the future of the blues with his visionary, original music. He calls it “Electric Swamp Funkin’ Blues,” an intoxicating mix of deep blues, blistering, psychedelic-tinged rock, booty-shaking funk and sweet Southern soul, played and sung with fire-and-brimstone fervor. Tastemaker Americana music magazine No Depression says, “Selwyn Birchwood reaches back in the blues tradition to launch something out of this world.” Exorcist will be available on purple vinyl LP, CD and at all popular streaming and download sites. The first single, the ripped-from-the-headlines howler FLorida Man, hit radio and streamers in May.

On Exorcist, Birchwood delivers the most far-reaching, musically adventurous album of his career. Recorded in Florida and produced by Grammy Award-winner Tom Hambridge, each of the 13 vividly detailed songs was written and arranged by Birchwood. The soul-baring tracks all hit with lasting rhymes and unexpected rhythms. Each twists its own tale, ranging from the love-gone-wrong Horns Below Her Halo to the love-gone-terrifying Exorcist to the autobiographical Underdog. According to Blues Music Magazine, “Selwyn Birchwood heralds a fresh, exciting new direction in the blues. Toe-tapping, hip-shaking, joyful and inviting…expansive and focused, exploratory and time-honored, but always original.”

Live, Birchwood is a force of nature. His ability to win over an audience—any audience—is proven night after night on the bandstand. With his warm, magnetic personality, Birchwood is as down-to-earth as his music is thought-provoking and electrifying, with Birchwood’s band featuring the pulsating interplay of his blistering guitar with Regi Oliver’s driving baritone sax. When he sits down to play his lap steel, he takes the crowd to a whole other level, with the music exorcising any bad times and troubles.

Now, with Exorcist, Selwyn Birchwood and his band are ready to deliver the new songs live to expanding, enraptured audiences around the world, lifting spirits while banishing demons. Asked what fans can expect when they see him, Birchwood replies, “My goal is to be sure you cannot listen passively. We’re going to make you dance, and we’re going to make you think.” One listen to Exorcist will no doubt convert many new true believers: this is visionary contemporary blues written and performed by an endlessly creative, modern-day blues master.

 

Suncoast Blues Society at Skipper’s Smokehouse to celebrate our 26th Anniversary

Suncoast Blues Society at Skipper’s Smokehouse to celebrate our 26th Anniversary

Suncoast Blues Society at Skipper’s Smokehouse to celebrate our 26th Anniversary

Join Suncoast Blues Society at Skipper’s Smokehouse to celebrate our 26th Anniversary with none other than Selwyn Birchwood and Damon Fowler on Friday, June 9, 2023 at 8:00pm

Although award-winning Florida musician Selwyn Birchwood is firmly rooted in the tradition, the young guitarist, lap steel player, songwriter and vocalist sets a course for the future of the blues with his visionary, original music. Birchwood, whose band features the pulsating interplay of his blistering guitar with Regi Oliver’s driving baritone sax, deploys a singular sound and style all his own. He calls it “Electric Swamp Funkin’ Blues,” an intoxicating mix of deep blues, blistering, psychedelic-tinged rock, booty-shaking funk and sweet Southern soul, played and sung with the fire-and-brimstone fervor of a revival tent preacher with a hellhound on his trail. Tastemaker Americana music magazine No Depression says, “Selwyn Birchwood reaches back in the blues tradition to launch something out of this world.”

On his new release, Exorcist (his fourth for Alligator and sixth overall), Birchwood delivers the most far-reaching, musically adventurous album of his career. Exorcist was recorded in Florida and produced by Grammy Award-winner Tom Hambridge, with each of the 13 vividly detailed songs written and arranged by Birchwood. The soul-baring tracks all hit with lasting rhymes and unexpected rhythms. Each twists its own tale, ranging from the love-gone-wrong Horns Below Her Halo to the love-gone-terrifying Exorcist to the ripped-from-the-headlines escapades of FLorida Man and Swim At Your Own Risk to the autobiographical Underdog. According to Blues Music Magazine, “Selwyn Birchwood heralds a fresh, exciting new direction in the blues. Toe-tapping, hip-shaking, joyful and inviting…expansive and focused, exploratory and time-honored, but always original.”

Live, Birchwood is a force of nature. His ability to win over an audience–any audience–is proven night after night on the bandstand. With his warm, magnetic personality, Birchwood is as down-to-earth as his music is thought-provoking and electrifying. With his band feeding off his energy, the 6’3″ musician roams the stage barefoot, ripping out memorable guitar licks with ease, his soulful, rocks-and-gravel vocals firing up his fans. When he sits down to play his lap steel, he takes the crowd to a whole other level, with the music exorcising any bad times and troubles.

Birchwood, his father from Tobago, his mother from the UK, was born in 1985 in Orlando, Florida. He first grabbed a guitar at age 13 and soon became proficient at mimicking what he heard on the radio. But the popular grunge rock, hip-hop and metal of the 1990s didn’t move him. And then he discovered Jimi Hendrix. “He was larger than life. What he did was mind-blowing.” As luck would have it, just as Birchwood was learning Hendrix’s guitar playing was steeped in blues, legendary bluesman Buddy Guy–a major influence on Hendrix–was scheduled to perform in Orlando. Birchwood was there, front and center. “I was floored,” he recalls. “I completely connected with the blues. I knew this was my path, and I had to make this music.” He dove deep, listening to icons including Albert King, Freddie King, Albert Collins, Muddy Waters, Lightnin’ Hopkins and of course, Buddy Guy. “The flood gates opened,” says Birchwood, “and at that point I started trying to absorb as much as I could.”

At 19, Birchwood met and connected with veteran blues guitarist Sonny Rhodes, who was instantly impressed by the enthusiastic young guitar slinger. Within one month’s time, Rhodes asked Birchwood to pack his bags and join him on the road. Rhodes took the young man under his wing, teaching him not only guitar and lap steel, but also how to conduct business, how to run a band, and how to reach an audience. “Sonny always said, ‘Play what’s in your heart.’ I’ve never lost sight of that,” says Birchwood.

Birchwood treasured his time with Rhodes but was adamant about completing his college studies. Rhodes, as a tribute to Birchwood’s drive and talent, made it clear to the young musician that he would hold the rhythm guitar spot in his band open for Selwyn whenever he was available. Birchwood–through hard work and scholarships–received his MBA from The University of Tampa. Combining the musical lessons learned from Rhodes and his business acumen, Birchwood created The Selwyn Birchwood Band in 2010, featuring seasoned, veteran musicians who had chosen to play with the new kid–a testament to Birchwood’s talent and leadership skills.

In 2011 the self-released, self-produced FL Boy helped the band land gigs outside of their Florida base, where they were already becoming local heroes. After winning the 2013 International Blues Challenge in Memphis (beating 150 other bands), Birchwood found doors swinging open. He took a giant step forward in 2014 with his Alligator Records debut album, Don’t Call No Ambulance. Rave reviews ran in publications from Rolling Stone to The Wall Street Journal, from The Chicago Tribune to The San Francisco Chronicle. The album won both the Living Blues Award and the Blues Music Award (BMA) for Best New Artist Debut. He followed in 2016 with fan-favorite Pick Your Poison and, in 2021, with the groundbreaking Living In A Burning House. He won the coveted BMA Song Of The Year Award for that album’s I’d Climb Mountains.

Now, with Exorcist, Selwyn Birchwood and his band are ready to get back on the road and deliver the new songs live to us while we celebrate, dance and eat Anniversary cake at Skipper’s On Friday, June 9th.

See you there!!

 

 

Cash Box Kings CD Review

Cash Box Kings CD Review

Cash Box Kings CD Review

For their third release on Alligator Records, the Cash Box Kings are back with another marvelous release that revels in the electric Chicago blues traditions. Right from the jump, the title track finds lead singer Oscar Wilson making sure the ladies know he is available to cure their ills, punctuating the proceedings with Wolf-like moans. The mournful tones from Joe Nosek’s harmonica create a telling down-home feel.

Guitarist Billy Flynn shows off his stellar slide work on “Trying So Hard,” while Wilson offers a dark laments about his woman troubles. Drummer Kenny Smith reminds us that he is the master of the shuffle on “Pontiac Blues,” with John W. Lauler matching him every step of the way on his upright bass. Since the passing of Barrelhouse Chuck, Lee Kanehira has been handling the keyboards, subtly filling out the arrangements. She gets a chance to shine on the sprightly “I Want What Chaz Has,” while Wilson and guest John Nemeth take turns expressing their admiration for a major player around town

Nosek takes over the vocal on “Hot Little Mess,” deep in the throes of love over a woman with plenty of issues. The soothing tones from Al Falaschi on tenor and baritone saxophone offer a measure of comfort. “She Dropped The Axe On Me” lays out the inevitable results of his ill-fated relationship, leaving him little choice but to pick up his harp and blow his blues away.

Other highlights include “Please Have Mercy,” with Wilson demonstrating his mastery of the slow blues lament, the band coming together once again in the intricate musical dialogue that is the hallmark of finest blues performances. Even better is the hilarious run-through of “I Can’t Stand You,” as guest vocalist Deitra Farr and Wilson air out the details of their on-going Facebook “feud”. Horns brighten the arrangement on “Down On The South Side”. Wilson narrates the typical goings-on to be found in the clubs and taverns in Chicago’s famous blues area on the weekends, while doing his best to focus on his female companion.

The closing tune, ‘Ride Santa Ride, “ proves to be more than a seasonal throw-off, with Flynn firing off his best Berry-esque licks while Kanehira pounds away on her piano. Wilson does his part, turning in one more inspired vocal turn that finishes off another stellar effort from one of the finest blues bands on the planet. Highly recommended!

Mark Thompson

Reprinted by permission from Blues Music Magazine, Issue #37, Spring 2023

Avey Grouws Band  at the Cottonmouth Southern Soul Kitchen

Avey Grouws Band at the Cottonmouth Southern Soul Kitchen

Avey Grouws Band at the Cottonmouth Southern Soul Kitchen

Avey Grouws Band

Cottonmouth southern soul Kitchen, Bradenton

April 6, 2023

 

On their return to Bradenton, Avey Grouws Band demonstrated yet again why this under-the-radar band may not be so for much longer. A large and enthusiastic crowd of their loyal fans, and quite a few new faces,  were highly entertained by an eclectic and well executed evening of music at David Shiplett’s Cottonmouth southern soul Kitchen.

Led by lead singer and guitarist Jeni Holtan Grouws, and guitarist and vocalist Chris Avey, the band included touring professionals Calvin Johnson (Shaun Murphy, Anthony Gomes) on bass,  Leo Albertoni (Toronzo Cannon) on keys,  and Bryan West on drums.

The band’s blues foundation is evident in their songs, and their semi-final spot at the 2020 International Blues Challenge. Avey Grouws Band achieve a  #10 ranking for their 2020’s debut “Devil May Care” release. Following this was the band’s 2021 recording, Tell Tale Heart. Debuted at #7 on Billboard’s Blues chart. Engineered and produced by Grammy-Award  winner Casey Wasner, who described the music as “rock and roll blues soul.” An apt description for what the band delivered from the stage.

Playing from both recordings, the band also delivered wonderful versions of songs from other artists. On this night, the band’s version of John Prine’s “Angel From Montgomery” was expertly sung by Jeni and brought the crowd to their feet in a standing ovation. Yes, it does not get better anywhere in this “big ole goofy world.”

But the band also writes their own music and the quirkily fun Two Day’s Off follows the blues tradition of writing a song from a true story. Just as fun was Dig What You Do – a song that featured vocal harmonies from Jeni and Chris, as well as fine keyboard work from Leo. The lovely ballad There For Me had couples looking into each other’s eyes. Another ballad, Let’s Take It Slow, showed the quality of lyric writing and Jeni’s voice.

Blues run through the fun and energetic I’d Rather Be Drunk, and Chris blues licks complemented Beck and Call Girl. Jeni vocals shone on this song. The band released both songs on a 2018 EP titled “Road To Memphis”.

Chris Avey’s guitar work stands with the best in the business. This is clear during “Mariana.” Eponymously named for the Atlantic Ocean trench, the song is just as deep and wide. It was a marvelously delivered bit of guitar work from Chris. You know the type of guitar playing that when the song starts, you’re not paying attention to the guitar. But a few measures into the song your brain will say that something great is happening. Yes, it’s that type of guitar work. A roller coaster of emotions, with a deep blues-rock crescendo. Some have compared the playing on this song to Robin Trower, and I would not argue with that point.

Local guitarist Vincent Sims joined in the fun and performed Love Her With A Feeling.

The future is bright for Avey Grouws Band. In September they will be performing at Big Blues Bender in Las Vegas – a well-deserved honor. And plans are underway for a return visit to Bradenton in November. Follow the band and Suncoast Blues Society for more information – this show promises to be special.

  • Scott Morris

 

Message from your President…

Message from your President…

Message from your President…

Message from your President…

Your Suncoast Blues Society just wrapped up another busy year. Here are some of the things your Board accomplished in 2022 that reflect our mission statement:

Dedicated to celebrating and promoting the musical genre known as the blues,

  • Participated in 23 events which included 8 major Blues Festivals 

preserving it’s history and traditions, supporting blues musicians,

  • Hosted 8 Blues in the Community (BITC) events
  • Created partnerships with 4 new venues (Masaryk Winery, Bayboro Brewery, Red Star Live, and Palladium) to promote bBues music
  • Hosted 6 of our own events, including
  • Tas Cru @ Bayboro Brewery
  • Giving Challenge events at Bayboro and the Music Compound
  • Memphis Lightning and Trey Wanvig @ Gill Dawg for IBC sendoff!
  • Alastair Greene at the Side Door / Palladium
  • Our 25th Anniversary Party @ Skippers that had EVERYONE dancing!
  • Annual Beach Bash 

and sharing blues music with current and future generations in the Tampa Bay Area.

  • Awarded our first ever Blues Foundation IBC Youth Showcase sponsorship – Trey Wanvig
  • Partnered with Chuck Ross to sponsor Youth Day at the Tampa Bay Blues Fest –

And recruited 3 new Board members – allow me to introduce them to you…

Vinny Marini

You would never guess by talking to him (lol), but Vinny was born and raised in NY. He has been in love with music since the day he was born and has been broadcasting radio music shows since he was 16.

Vinny began writing album reviews and conducting written interviews with musicians that led to his creating Music On The Couch. That can now be heard, along with his other show Roots & Fruits, on the True Grit Roots Network.   “I love what the Suncoast Blues Society does and how they are constructed and I want to be a part of it and help continue to grow in this area.”

Carole Peters

Carole is a native of St. Louis, home to many famous Blues musicians and grew up playing music and attending concerts. These early musical experiences provided the basis of her love and appreciation of musicians and their craft.  Carole became a member of the Suncoast Blues Society shortly after moving to Florida in 2015 – you may recognize her as the lovely lady who is always willing to take your money in exchange for a cool shirt or a new CD at one of our SBS events.  Carole has been a member of civic organizations in her hometown of New Port Richey for seven years, volunteering at many charity events.  “I am looking forward to applying my leadership and organizational skills to the advancement of the Suncoast Blues Society.” 

Mark Thompson (aka Big Kahuna)

Mark is a past Board member and former President of the Suncoast Blues Society.  After stepping aside for a few years, he has decided to return to the Board in hopes of working on developing a stronger Blues in the Schools presence, initially in the Bradenton community and spreading from there, by establishing solid partnerships with organizations like Realize Bradenton to accomplish that goal. Mark is also a writer for Blues Blast Magazine, Blues Music Magazine, and the Chicago Blues Guide website. “I have been listening to Blues music for more than five decades.”

 

President’s Message…

President’s Message…

President’s Message…

President’s Message…

Well folks, another year coming to a close. Life moves on and with it comes change and so it is for your Suncoast Blues Society.  Three of our Board members, Scott Morris, Pat Smoot and Jesse Smoot, are retiring after 3 years of ‘active duty’.

Jesse was our Secretary for a few years then took on Membership and did a great job organizing and updating our system to reflect current needs – no small task but perfect for someone as detail-oriented as Jesse is.  In addition, he updated our Bylaws and worked with his lovely wife, our Merchandise guru. Pat is one of the most organized people I have ever met! She was an experienced buyer before retiring and inventoried and organized all of our merchandise.

Pat & Jesse are a great Team – they were always the first ones to arrive and set up at the Festivals and the last ones to pack up and leave. They kept our old trailer in working order and more than once hosted Board meetings at their lovely home.

Scott wore multiple hats during his tenure including Treasurer, working on content for our weekly eblast such as CD and event reviews, FB posting, and organizing multiple events. In addition, he dragged us kicking and screaming into the 21st century by updating our website to include online sales of merchandise and improving our online documents and records storage which was a huge project. It will take at least 3 people to replace him!  We wish him well in his next adventure, S&B Sound.

We have been truly blessed to have had the opportunity to work with these folks – be sure and thank them when you see them out and about.

Stay tuned next week to meet our 3 new Board members!

Terri