Carolyn Wonderland “Tempting Fate” CD Review by Franc Robert

Carolyn Wonderland “Tempting Fate” CD Review by Franc Robert

Carolyn Wonderland “Tempting Fate” CD Review by Franc Robert

Carolyn Wonderland “Tempting Fate”

CD Review by Franc Robert

WOW!!! Tempting Fate… is one astonishing record. If you have not heard Carolyn Wonderland before, you owe it to yourself to get this CD, like-now!!! Ms. Wonderland can compare to Bonnie Raitt, but hotter like a cayenne pepper. Arguably stronger vocals, and much spicier playing and songwriting.

Right out of the gate, “Fragile Peace and Certain War” fires off on all cylinders with its raging Mississippi Hill Country blues stomp, hound dog wailing slide guitar and impassioned, politically tinged vocals. Vocals that find a higher gear each verse till the final scream that recalls Tina Turner at the height of her powers-yeah, it is that good!

“Texas Girl and Her Boots” is a wonderfully sassy look at the form and function of her boot collection (every girl has more than one pair!), set over a bare-knuckle Texas shuffle with the added treat of Marcia Ball on piano, loads of fun!

“Broken Hearted Blues” is a classic blues rocker with Carolyn detailing every failing of her (now presumably former) lover-the standout here is her vocals, which go from a near whisper to all out wail on the turn of a dime. “Fortunate Few” is more traditional, with the piano more forward in the mix, and very tasty guitar work.

“Crack In the Wall” is a slow Texas waltz, with Cindy Cashdollar adding a haunting lap steel solo.

“The Laws Must Change” shows Ms. Wonderland interpreting her old boss John Mayall’s song, and in the process making it her own. Her guitar scat’s along to her vocals-sometimes doubling, other times finishing the line, before getting to a lyrical but still cutting solo!

“On My Feet” is more of a traditional jazz number, with smooth crooning, and a surprise whistle and guitar call and response solo-very nice and a cool twist! “It Takes a Lot to Laugh It Takes a Train to Cry” features Jimmie Dale Gilmore as a duet partner (sounding like Willie Nelson).

The album closes out with The Grateful Dead’s “Loser”- an unusual choice, but Wonderland makes it work. With its spaghetti western lyrics filtered through a blues-rock-psychedelic kaleidoscope leading to a dramatic rave up solo section. And its spine-tingling final chorus that leaves you wanting more, like a great album should!

Can you give six stars on a 5-star scale? That is what this record is, and I am sure it is already in the running for Blues Music Awards. Cannot wait for Ms. Wonderland to tour Florida!

 

Jason Ricci, Here by Grace

Jason Ricci, Here by Grace

Jason Ricci, Here by Grace

Suncoast Blues Society presents an interview with Jason Ricci. The interview and story were written by Tom Bassano, and Suncoast sincerely thanks Tom for offering for publication this interview, and insights into Jason Ricci.

Jason Ricci’s talents are undeniable. Neither is his openness to his past, his troubles, and his exploration into all that life offers. Some of what follows will be an honest discussion, and some might find the material edgy. But much like Jason this piece is entertaining with little held back. Anyone who has seen Jason perform knows that he leaves it all on the stage; he does so here as well.

Jason Ricci, Here by Grace

Interview and story written by Tom Bassano

Jason Ricci, hailed as one of the greatest harmonica players ever, opens the curtains of his turbulent rise and fall from fame and rebirth as a living legend of Blues Harmonica.

At first glance, Jason’s appearance is everything but blues, with wild hair and eccentric clothing that can only be described as punk rock/hippie. But when his raspy voice hits the microphone it’s as if the mood of the entire world had just changed, and you suddenly relax into the rhythm of southern blues. Then Ricci pulls from the mic and buries his face in his hands.

As the first note pierces the air, you can see everyone perk up in their chairs, and as Jason dives into his first harmonica solo, even the band seems to be a part of the audience as they watch him with respect and admiration. Ricci hits note after note, sounding as if there are 5 harmonicas playing at once, even beat boxing, creating his own percussion accompaniment without missing a note. Everyone starts to yell and whistle, encouraging him to keep going. The crowd sounds like a revival sermon, with even some “amen”s being shouted. People are breaking into applause before he has even finished, multiple times

Ricci is like a maniac, feeding off the energy of the crowd, playing faster and more complex the louder they cheer. We can see the level of effort growing and you imagine he must be exhausted. You are wondering, “How long can he do this- will he fall off the stage?” He has got to pass out, but he shows no sign of deprivation as he designs a roller coaster of music and your jaw drops open as you watch like a child at a magic show wondering,  “How did he do that?” This is what it is like to watch Jason Ricci

I am Tom Bassano. I first saw Jason Ricci play at Terra Blue in New York City. Now, three years later, I am bringing him to Tampa Bay. I have never interviewed anyone before. I had originally thought to give the task of interviewing to someone who was accomplished in the field of writing, but I chose to do it myself because I wanted to dive deeper into Jason’s past and try to understand who he really is. I said, “Jason, I decided to interview and write the story myself.” Jason said “That’s cool, now just relax and we’ll talk and then you can take what you want from it. Ask me anything, nothing’s off the table – jail, addiction, homosexuality; I am an open book.”

TB: Well, let’s start off with the soft pitches and we will dive deeper as we go.

JR: Sounds good.

TB: You grew up in Maine, but somehow you ended up in the south being mentored by, and even living with, legends of the blues in your late teens and early 20s, like Pat Ramsey and David Jr. Kimbrough. How did a New England punk rocker find his way into the blues?

JR: It was the harmonica, the instrument itself. It was played in America by mostly black blues players and some white country singers, bluegrass, and folk. But if you are truly interested in the harmonica, you are going to be interested in the blues because of what those guys do with it. So, at first, I was attracted to the music. But then I listened to the lyrics and in what at first sounded old-timey in comparison to punk, I heard a similarity, and that similarity is sincerity.

There is a sincerity in both punk and blues that I could relate to. When I saw this, my mother brought me to acts such as James Cotton and Buckwheat Zydeco at a young age. Blues and punk are written more towards the arts and not so much for entertainment, unlike a lot of pop music. Today, I don’t try to play the blues. I just play music (he laughs) I play Jason Ricci. As a rule, I don’t think categorizing music is very creative and I don’t believe its marketable that way.

TB: What music were you listening to as a teenager and what has carried over to your playlist today?

JR: All of it – I didn’t grow out of any of it. For a while I did The Dead Kennedy’s, Pixies, Misfits, and 7 Seconds. Then at 17, 18, 19, I was blues and jazz in my 20s. I temporarily stopped listening to punk until I came out of the closet in my 30s. That’s when I went back to my roots and gave myself permission to be who I am. You see, I pretended to not like punk because it wasn’t in the culture. I wanted to be an authentic blues person so all I would listen to was Little Walter, B.B. King, Junior Wells, Sonny Boy Jr., and Freddy King.

TB: If I were to describe your performance to someone, I would say you were a mix of Janice Joplin, Steven Tyler, and Jerry Lee Lewis.

JR: Thank you, Janice is one of my biggest influences. My mom would put on videos of her when I was 13, 14 years old and I would say to this day that I have never seen a better performance. The way she ran the band and her vulnerability, the audience would be wondering if she was even capable of finishing the performance. She would miss notes and she was trying too hard to get them that it was better than had she hit them.

TB: Who would you say influenced you?

JR: Janice was one of my biggest influences. I can tell you that Sean Costello’s live performance changed my life and watching Derek Trucks concentrate on a single note is like watching Buddha meditate.

TB: When you allowed yourself to listen to punk again, did that influence your music?

JR: That moment that I said, “You know what? I’m going to sleep with men.” That decision influenced everything that was repressed in me to come out. I’m just going to be me, and I don’t care how I’m perceived. As far as punk influence, you only need to go to my album, Done with the Devil, and you can hear my blues cover of “I Turned into a Martian”, a Misfits song. That’s some homework for you. (Jason laughs)

TB: When did you recognize your homosexuality?

JR: I recognized it on the school bus to kindergarten. I have always been attracted to men. I don’t have a choice of who I am attracted to, but I do have a choice of who I sleep with. It was easy for me in my teens, especially since I am a romantic and influenced by the heterosexual community. It was easy to have girlfriends. I didn’t have many, I had a girlfriend in high school and maybe slept with 11 girls my whole life, and for a musician that is not a lot. (Jason laughs) It’s low – I was obsessed with music, there was not much time for sex until I reached my 30s. I charged the first man I ever slept with, so I felt that exonerated me (Jason laughs again). That was a Lou Reed song:

“Little Joe never once gave it away/

Everyone had to pay and pay/

A hustle here and a hustle there/

New York City’s the place”

Later I fell in love with a guy – he moved away and broke my heart. I thought I was gay because the gay community said my attraction to women was just brainwashing from the conventional heterosexual society. I met a guy named Brady that I was going to be with for the rest of my life, and probably could have. I would have married him if it was legal at the time. He refused to acknowledge any bisexual thing that was going on, if I said a woman was sexy, he would say “You just want to be her”.

So, it took me a while to accept that I am attracted to both genders. I wasn’t going to say that I was attracted to both genders while I was in a long-term relationship. When I finally did, he said it was just me trying to hold onto some level of conventional American normalcy. I have slept with hundreds of men (Jason busts out laughing), maybe not hundreds, let’s take that out. I was with a lot of guys, like every night a different guy for like… (Jason pauses) wait a minute that is hundreds of guys (laughing hysterically). I can’t even come close to counting, I see people all over New Orleans that I have slept with. It’s a good thing I don’t go to Nashville very often anymore. I don’t regret it. Coming out as bisexual was the loneliest. If you’re straight, it’s great, everyone digs you and being gay you have the gay community and all the clubs. But when you come out as bi, chicks are like, “What do you mean you sleep with men?” And the gay community is like “Jason’s just trying to make more money.” Being bisexual is not as cool as being gay and it’s not as easy. I am attracted to women; I communicate better with men. I don’t know, I guess gender for me is irrelevant. I never considered Brady’s gender and I never considered Kate’s gender- my wife. Both were great.

TB: Okay Jason, I need to back you up a bit – you just glossed over prostitution like it was nothing!

JR: Oh, it didn’t last very long. I answered an ad in the paper that said, “Male sculpture models wanted” and I met a guy that was nice. It wasn’t like I was walking the streets; I wasn’t River Phoenix style – my own personal Basketball Diaries.

TB: Were you going through your addictions at the time?

JR: No, I was smoking a little weed… (Laughs) I was smoking a lot of weed.

TB: When did the drugs start to take over?

JR: Well, I went to treatment in 1997. I was 23. I left treatment after a few months and got a year and a day in a boot camp jail situation. I got out and went into a work release program and then probation. I stayed sober from 1998 to 2010. I was dealing with a lot of things when my band, The New Blood, broke up and my mental health was not good. I was placing my career, and material objects, and my physical appearance above my spiritual wellbeing. I had everything. A career, money, and I was in great shape; abs, the whole nine yards. But I wanted more, I wasn’t happy with it. Plus, I did not recognize severe bipolar syndrome. For about 4 years, I was staying up 2 or 3 days at a time. I became obsessed with the occult books. I was a member of O.T.O., a secret society – and I’m not saying there is anything wrong with that, there are plenty of people in O.T.O – but it’s classic bipolar behavior. I was dealing with forces I still till this day believe were demonic. You can chalk that up to bipolar or real life, I don’t care.

TB: In your mind?

JR: No, external. I full heartedly believe in GOD and the devil.

TB: Have you been able to escape?

JR: Yes, through GOD – but I don’t push it on people. So, after 2010, I started smoking crack and doing heroin. I had a French girlfriend, and we were sleeping with men together, then I was arrested and went to jail in Indiana for some big boy charges: assault on a police officer and burglary. (Jason pauses) I never touched him. I did a year and a day and never touched him. I did a plea bargain to avoid 12 years.

TB: What about the burglary?

JR: I robbed a woman’s house and stole guitars. A pretty shitty crime for a musician. I didn’t really know her. I met her once and knew she wouldn’t be home and robbed her to get crack and heroin. When I got out, I met my wife. Her mother worked in the jail – she introduced us.

TB: (Choking) What?! You have got to be kidding me. (Laughing in disbelief)

JR: Well, you don’t know my wife’s mother (Jason laughs, as if remembering a sweet moment). She is AMAZING. She’s a prison advocate. She was hired by Amnesty International to go into the Bloomington, Indiana Jail to police the guards  who were stun gunning their prisoners to death. That job evolved throughout the years for her to advocate for prisoners to get their GED’s, glasses, and medications, simple things that they need. She started an organization called “New Leaf New Life” that takes long-term prisoners who have lost their homes, wives, loved ones and felon’s incapable of being employed in many places. She puts them in a position to be repositioned. She doesn’t judge people by their past actions. She’s not Christian but that’s a very Christian thing to do. Because we are not broken, but circumstances may cause people to behave in ways that are outside of their true nature. She saw that I had this life before jail. When I got out, she had dinner with me a few times, as a friend of course. She told me about her daughter, who at the time was trying to get harmonica lessons for a friend of hers who had been in a car accident and could no longer play her original instrument.

TB: That is bizarre, I would never imagine a relationship developing that way.

JR: It gets weirder, my mother-in-law is a descendant of the Karnoffskys, who gave Louis Armstrong the money for his first cornet. Louis may have never become the legend if not for that cornet, as he had an incident that led him into a juvenile detention center for a year, where he homed in on his skills. Louis spoke fluent Yiddish and wore the star of David on his neck till his death in honor of the Karnoffsky’s.

Editor’s note: In a bit of irony, on August 30, 2021, while this interview was being prepared Hurricane Ida destroyed Karnoffsky’s – what was a registered historical landmark

 

I have survived and am actively healing through GOD’s grace. I don’t mean my career because I worked hard for that, but for my life. I’m talking about the fact that I shot more dope than Sean Costello, and I don’t know why I’m still here. I don’t think I’m favored, that’s part of grace. Grace basically means through no doing of our own, we are still here. All my hard work and my career in the long run, where will it really get me? My goal is, can I remain stoic in the face of adversity? In other words, how stable can I be regardless of my circumstances? Can I not let my circumstances dictate my behavior and how I have a natural tendency, like most anybody else, to turn to food, sex, drugs, and alcohol, even too much TV. But that’s something I try not to do.

TB: So, you have an addictive personality beyond just drugs?

JR: Yeah, a lot of that stems from trauma. I had a traumatic upbringing. It’s not too hard to dig and find that my father Joseph Ricci was all over 60 Minutes, Geraldo Rivera, mafia websites. My mother did multiple stents in hospitals, a couple of them long term more than a couple months. I was raised by the neighbors, people thought I had money because of my father, and they thought I got that money because my father killed people. I did not have access to that money because my mother was not present. She was bipolar and dealing with her own demons. Her parents were horrific. So, working too much is just a classic symptom of trauma as well as it is reinforced heavily by American culture. The harder you work, the better you are – workaholic. Don’t get me wrong though, I am a huge fan of America, I love living here.

TB: The addiction is a large part of how you became who you are. Without the work addiction you may not have become Jason Ricci, one of the greatest harmonica players.

JR: Absolutely, I lean heavily on the manic side. I am the opposite of attention disorder. I can focus on one thing for a few days and be productive until I become agitated by sleep deprivation. I would say highly productive. But I don’t allow it to go there anymore. I take medication. It took 10 years to find the right medication. I take an antipsychotic and a sleep aid. That allows me to get manic in the daytime and then it cuts it off so I can sleep, and it takes longer for me to get manic, like 2 or 3 hours. I just exhibit an overly enthusiastic person for a few hours. I am still manic, but I accept it, I like being a little manic. Every bipolar person likes being manic. Everyone around me has the right to tell me when I’m manic. I don’t always like it, but I listen, or I must explain why I’m not. (Jason laughs hysterically).

TB: Does the blues bring you to those dark places? Is it hard to do that while recovering?

JR: No, I think the blues has always been my lily. It’s like I made a mistake and I hope I learn from this. That’s the theme. It doesn’t always provide a spiritual solution. (Jason laughs)

TB: Do you find it hard to play in clubs as a recovering addict?

JR: Never, never. Because I don’t use drugs and alcohol like people in clubs do. That includes cocaine. I am not doing a line in the bathroom. I barricade myself in a room with furniture and mattresses, I smoke crack and shoot dope while watching porn for 4 or 5 days straight. Watching people drink in public is not the way I would like to, so it’s just not tempting. If they were smoking crack or shooting cocaine after the gig is over and I had a bad day, I don’t feel connected to GOD and I have not done anything to feel connected to GOD, I am in danger.

TB: So, your addiction is self-medicating?

JR: Yeah, there is nothing fun about it, the way I use. I remember coming back from a run and numerous parties that I had saying “Did you have fun?”, and that’s just a stupid question. It was just business at that point, there was nothing fun about what I was doing.

TB: What would wake you up out of that?

JR: GOD.

TB: So, you are laying on the ground and GOD wakes you?

JR: Not in the beginning. Normally it was an ambulance and a cop car that would interrupt it, two years ago, not quite two years ago, I will be two years sober November 20th. The last two years have been wonderful, completely different from when I was sober for 12 years and the time for 4 years. This is a totally different world where I am full of gratitude, and I recognize all the things that have happened to me and the rotten things I have done are all nothing but tools for me to help other people who may feel they are beyond forgiveness that may have done the same things as me or even worse.

I can use going to jail, breaking into someone’s house, and stealing guitars, prostitution, I can use what I did or what has happened to me to hopefully help others. Before you called, I was on the phone with a lady from Massachusetts that was fighting alcoholism, trying to find her resources to get better. It’s the most important thing I can do trying to give back.

You can see Jason Ricci on October 2nd featuring JP Soars and the Red Hots in Safety Harbor on the Bassano Cheesecake stage on 507 Main Street during the Safety Harbor Autumn Music Festival.

 

 

2021 Suncoast Blues Challenge

2021 Suncoast Blues Challenge

2021 Suncoast Blues Challenge

Hello Suncoast Blues Society Members & Supporters
Just in case you haven’t yet heard (lol), this Sunday, July 25th, your Suncoast Blues Society will hold their regional Suncoast Blues Challenge to determine what band to send to Memphis for the 37th International Blues Challenge in January.

The event will take place at 10th Street Live, 1330 US Hwy 301, Palmetto.
There is also a restaurant, El Sombrero, so food and drinks (full bar) will be available.

We are excited to announce the 4 bands that will be performing:

  • JSanti & Gamblin’ Shame
  • Memphis Lightning
  • Memphis Rub Band
  • Randy Stephens & The Groove Makers

Performance slots will be drawn on the day of the competition so plan to arrive early and get a good seat, or you may bring your own chair. Show starts at 2pm – doors open at noon.

Advance ticket sales are still available for $10 at suncoastblues.org/shop or $15 at the door.
There will also be a raffle and silent auction so bring your cash and/or credit cards!
Income from the show goes to support the winning band’s travel expenses to Memphis.

We have 5 highly qualified judges:

Mark Thompson – Former President of Suncoast Blues Society and writer/reviewer for several blues publications.

Jose Ramirez – Delmark Recording artist, Blues Music Award Nominee in 2021, and 2nd place IBC winner in 2020.

Mark Goodman – photographer; received 2008 Grammy for “City That Care Forgot”-Dr. John & The Lower Nine. Been judging in Memphis since 2007.

Rick Lewis – a long time blues lover since seeing Stevie Ray Vaughan and the Fabulous Thunderbirds in 1983, as well as a professional concert photographer specializing in the Blues Music Genre. This is his 3rd time being a judge for the Suncoast Blues Society IBC.

Velma Glover – 2017 IBC Winner, Velma “Spice” Glover, is a home grown, born into the Blues, singer/songwriter/producer, and performer. Spice is the daughter of the late local Blues Chanteuse, Loretta Glover, and without a doubt carries a bloodline of the Blues within her veins.
________________________________________

 

You are going to want to stay till the end – whenever that might be – for an after-competition show by Josh Rowand and The Pitbull of Blues Band, including surprise guests, while the judges score sheets are tallied.

Josh is no stranger to the IBC. Having placed third in the 2020 competition, the band successfully made it to the final stage at The Orpheum Theatre in Memphis. They know what it takes to make it “All The Way TO Memphis”.

So come on out and join us for a fun and unique day of blues music – we guarantee you will more than get your money’s worth!

Thank you again for supporting live music!
Madame Pres – Terri

And now, let’s meet our contestants!


JSanti & The Gamblin’ Shame

Having been displaced from NYC due to the Covid-19 pandemic, JSanti (John Santiago) moved to Sarasota, FL. Upon doing so, he was invited to a jam session at the “Experimental Farm Road Compound” where music and humans of a like-mind communicated and connected. Upon this meeting, J met Andrew LeachMiranda Becker, Sabrina McClenithanZeena Brown and Sean Adam Walsh.  Soon after, he would meet Marcus James, also displaced from NYC.

After having played some music with Experimental Farm Road, he was introduced to Clint Justesen, of Wild Horses. The magnetic and resonant energy between these people led them to enter the 2021 Suncoast Blues Challenge, where they will perform their very first show, showcasing JSanti’s original music, with much more to come from the group’s diverse gathering of songwriters

Memphis Lightning 


Known for our Explosive Stage Show, and High Energy Roots, Blues and Rock n Roll! Memphis Lightning was born out of tradition with a pedigree second to none. Having the chance to learn from some of the best, Memphis Lightning are the real deal. Their energetic performances will bring you back to the days when the Juke Joints were rockin’ and the Blues was King. Featuring Lightnin’ on Guitar, he is backed by his father Big Red and Lil’ Stevie!So bring a friend and get struck by Lightning!!!

Memphis Rub Band

Memphis Rub is a 4-piece blues-rock band from the Sarasota/Bradenton area of Florida, performing a blend of blues, rock, funk and R&B.

The band features “Hurricane” Gary Drouin (guitar), Scott Matzke (bass/vocals), “Barefoot” Dan Ryan (keyboards), and David Wells (drums). In 2016 Gary and Scott decided to form a band and name it after the city that calls itself the “Home of the Blues”, the “Birthplace of Rock ‘n Roll” and the “Cradle of American Music”. Dan was next to join the band and David came on board in 2019. The Memphis Rub Band performs at a variety of venues and festivals up and down the Suncoast, putting their spin on tunes by musicians such as Delbert McClinton, Tommy Castro, Ace Moreland, B.B. King, Buddy Guy, and others. The band also writes and performs original music. In 2018 Memphis Rub released their first album, “Taste”, and songs from the album have been played on area radio stations including WMNF and WSLR.

Randy Stephens & the Groove Makers

Performing in Sarasota County for 10 years now RSGM plays regularly in and around the southwest area. Randy’s Groove Makers have had the pleasure opening for many acts over the years to include Albert Castiglia, Pat Travers, Larry McCray, and Biscuit MIller & the MIx.

Randy Stephens has a new original album coming out with ‘Devil in the Details’ on Sony Records to be released September 2021. The Groove Makers have evolved from a Power Trio into a mighty quartet with award winning guitarist Randy Stephens at the helm, guitar/vocals, “Detroit” Mike Michael Hepner on piano/keys for the late Brian Lee, Jessie Stephens on bass guitar, and Mark Richards on drums.

 

 

 

2021 Blues Challenge

2021 Blues Challenge

2021 Blues Challenge

2021 Blues Challenge

If you showed up for the Suncoast Blues challenge in 2019 you know it was a heck of a good time and we are gearing up to do it again at 10th Street Live in Palmetto.

We’ve got another great crop of competitors and we will have five impartial parties, well-versed in Blues to judge the event. Deadline for competitors to register is July 1st.

It’s going to be a blast and you’ll get to hear some great music topped off by a special performance from Josh Rowand & The Pitbull of Blues Band so wear your dancing shoes!

Doors will open at 1 PM and music starts at 2 PM.

Tickets are on sale now

Admission is $10 in advance and $15 at the door, which goes toward the winners’ trip to Memphis.

Be sure read Suncoast Blues News as each week we will be telling you more about our competitors.

 

 

Suncoast Blues Society’s 24th Anniversary

Suncoast Blues Society’s 24th Anniversary

Suncoast Blues Society’s 24th Anniversary

Well folks it all started 24 years ago when Ken Torvik from Minneapolis and Larry Lisk of Detroit decided to put something together in the Tampa Bay area so they could hear their favorite music and see their favorite musicians without having to drive all over Florida resulting in the birth of the Suncoast Blues Society (SBS)!!

Usually, SBS puts on a special Anniversary Show for our members to celebrate. However, as we all know, COVID wreaked havoc on our lives and our community which has greatly impacted musicians, local businesses, and venues.

However, there is light at the end of the tunnel and it is growing brighter every day so it is time to get back out there and enjoy our Blues music and start dancing again. This did not happen in time for SBS to plan an Anniversary Party for this year but we have been able to pull together some smaller events.

The first one, coming up next month, will be at Gill Dawg in Port Richey. If you have not been there yet you are missing out – great outdoor venue with a covered area and plenty of room for dancing. They are also pet friendly!
So come on out on the 4th and help us celebrate our 24th with the Tom Craig Band.

We will commemorate Suncoast Blues Society’s 24th Anniversary with gifts and prizes. There will be drawings throughout the day for great SBS merchandise.

Show us your membership card and you will receive a gift. If you’re not a member, this will be a perfect opportunity to sign-up.

Already a member, go ahead and renew! Either way, you will receive 2 CDs plus a gift.

Stay tuned – we will be sending out additional information in our weekly Suncoast Blues News.

Splish, Splash It’s the Beach Bash

Splish, Splash It’s the Beach Bash

Splish, Splash It’s the Beach Bash

That’s right—we have scheduled our annual Beach Bash on Sunday August 29th from 2—6 PM.  We will be celebrating at our usual haunt, the Lions Club Beach House located at 9300 W Gulf Blvd, Treasure Island.  Dooner’s band—Big D and the Dirty Deal will provide the opening entertainment followed by a jam session until 6 PM.

We won’t be doing our normal open buffet spread but we will be cooking “Blues Dogs” and offering chips. You are welcome to bring your own picnic baskets.

This is the first event the Suncoast Blues Society has planned in over a year. And we are optimistic that we can make this a safe event where we can get back to what we do best, celebrate the music with friends.